1 to 1 Surgeries

Image of STAMP Connect 2019, taken by James Berry

Throughout summer 2020, CPT is offering 1-to-1 professional advice sessions for contemporary theatre practitioners. These surgeries are free, and allocated on a first-come, first-served basis. Be it producing or finance, programming or dramaturgy, fundraising or business planning – we’ve got the specialists to share their expertise.

A number of 30-minute surgery slots with different practitioners are available. See below for more information on who you can speak to and what they specialise in. New slots will be made available every two weeks with more practitioners being added over the coming days.

If you’d like to book a time with a practitioner, simply use the booking system under each name to find out the times and dates they are available to talk. Once you’re booked in you’ll be sent all the information to your email.

If there are no times available it means that they are fully booked – but fear not! More times will be added soon and we’ll make sure to announce it on our social media when they do.

Kaya Stanley-Money

Kaya joined Camden People’s Theatre as Executive Director and joint CEO in 2018. Prior to this she worked as a senior producer for China Plate Theatre where she developed and toured work with artists including Chris Thorpe, Caroline Horton, Inspector Sands and Ben Wright. Kaya is also a trustee for Marlborough Productions in Brighton and a voluntary director for interactive children’s theatre company, One Tenth Human.

Kaya is happy to talk about: producing – Budgeting / financial management; fundraising from ACE and Trusts & Foundations; being an Executive Director; career paths/business strategy.


Brian has been artistic director of CPT since Sept 2011. Previously he was co-director (with Alex Murdoch and Neil Haigh) of the touring theatre company Cartoon de Salvo, with whom he devised and performed in e.g. Meat & Two Veg (BAC and international tour), The Sunflower Plot, Hard Hearted Hannah and Other Stories (Lyric Hammersmith, Edinburgh Fringe and Kennedy Center, Washington DC), Made Up (Soho Theatre, 2012) and Pub Rock. In 2016, he toured with Will Adamsdale and Lloyd Hutchinson in Fuel Theatre’s The Joke. With CPT, Brian co-created and directed This Is Private Property (2016), Fog Everywhere (2017) and 2019’s Human Jam. Brian is also a theatre and comedy writer for The Guardian, and former assistant theatre editor of Time Out London.

Brian is happy to talk about: becoming and being an AD; how CPT works with artists; theatre programming and festival curation; artist support; devising, and directing in collaborative contexts; co-creating theatre with communities; documentary theatre-making. Also happy to talk about press & PR, theatre journalism and criticism if that’s helpful to anyone.


Nick was the founding producer of Improbable and recently left the company after twenty-four years and many projects. He is now Producer for the Javaad Alipoor Company, working on a range of national and international projects and a wide-ranging programme of organisational development funded by ACE.

Through his career Nick has worked with a wide range of other organisations including LIFT, dreamthinkspeak, The Arts Council, Told by an Idiot, Mark Bruce Company, The British Council, Phoenix Dance, Nada Theatre (France), Weirzalin (Poland) and Mouthpeace Theatre (South Africa). He has also facilitated Open Space events throughout the world and sat on various Boards including those of Theatre Bristol, China Plate, Corn Exchange Newbury and ITC.

Nick is happy to talk about: supporting/developing Artist led companies; strategic development; national and international partnerships and touring; budgeting.

Melissa Wong

Melissa is an Impact Manager for the Cultural Impact Development Fund, a social investment fund providing small-scale lending to arts and culture organisations across England.

She is responsible for the fund’s overall approach to social impact and works with applicants and investees to build their capacity for monitoring and evaluation so they can better articulate their impact to funders, policymakers, and the public.

Melissa is happy to talk about: grant funding; alternative finance; learning and participation; social impact evaluation.

Nic Wass

Nic is Creative Associate at Regent’s Park Open Air Theatre and Associate Dramaturg for Fifth Word. Previous roles include Associate Dramaturg (RSC), Artistic Associate (Kiln) and deputy to the Literary Manager (Royal Court) where Nic gained experience in international writing/translation. As a dramaturg, Nic has worked with circus artists, storytellers and mentored writers in the criminal justice system.

Currently, Nic is working on Ghost Light – a series of miraculous journeys around Derby Theatre for just one household or small bubble at a time.

Theatre includes: 2019 season (Regent’s Park Open Air Theatre), Mushy: Lyrically Speaking (Rifco), Lava (Nottingham Playhouse Studio/Fifth Word); The Merchant of Venice (Next Generation company), Day of the Living, Myth, Snow in Midsummer (RSC); Jinny (Derby); The Great Wave, The Invisible Hand, A Wolf in Snakeskin Shoes, The House That Will Not Stand, Handbagged, Circles (with Birmingham Rep.), The Kilburn Passion, The Epic Adventure of Nhamo the Manyika Warrior and His Sexy Wife Chipo, Red Velvet (Kiln); A Time to Reap, Vera Vera Vera (Royal Court); Dream Story (Gate); The Big Fellah (Out of Joint/UK Tour) and Faith, Hope & Charity (Southwark Playhouse).

Nic is happy to talk about: “I’m happy to chat to anyone who feels I can be useful and don’t want to cap what that conversation might be. Particular areas of expertise are dramaturgy, creative collaboration, writer development and career sustainability. Also happy to offer one-to-one idea exploration/script development session”

Support Camden People’s Theatre

Our mission is to support young and emerging artists making inventive new theatre – particularly about issues that matter to people right now. During this time, any donation – large or small – has a huge impact, helping to secure the future of CPT; the building, staff and many artists we work with.

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